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I don’t know what I would have done, I was a little bit nuts. I mean, I went through an androgynous period when I was 11 or 12 and I’m glad the option wasn’t out there for me to get hormone blockers. “Amanda had to really fight to get her surgery and become her. It’s another expression of being anti-mainstream.” LaChapelle doesn’t agree entirely with all Paglia says, but is all for nonconformist streaks and discussion around identity he made a star of Amanda Lepore, one of the first transgender models and performance artists, and his muses (Lepore, Daphne Guinness, Pamela Anderson) all share a cartoonish quality that he renders fantastic and beautiful. But, she says, people who in the 60s, say, who didn’t fit and who were beatniks, might today have considered themselves transgender. You have to read what she says about right now and the fall of civilisation. “I listen to a lot of Camille Paglia, only because she is such a different voice. We have to be careful about the glee in vigilantism.” Lines are being redrawn, he says, quicker than people are processing the information. At the same time, the sort of joy people take in the takedown is something we have to look at as a culture. What does he make then, of the domino effect playing out and toppling some of these people in power? “It needs to be called out. ‘Did I really bring culture down?!’ Photograph: Christoph Neumann for the Guardian And if you have it in the highest level of office, you’re going to have it everywhere people are in power.” Bush would not have been able to steal the election had Clinton not have done that. He really did demoralise the Democratic party.
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People in power – you don’t have sex with an intern! I would get in a lot of arguments with people at the time about President Clinton. “But, I know there has to be respect in all industries. There is a “but” coming and, for a moment, I wonder where this riff might go. “We’re living in such a puritanical moment right now when it comes to sex.” Is he referring to photographer Terry Richardson? “I don’t know Terry’s work. “I’m like Grandpa Moses of photography, giving them advice.”Ĭonversations with his young team, he tells me, keep forking to sexuality and gender at the moment.
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In the studio I have in Los Angeles, we have lots of young interns – they’ve been invaluable at putting together these books because I started seeing through their eyes.” He doesn’t do Instagram or care much for social media because it is “just another way to be busy without really doing anything”, plus his fans do it all for him anyway. “I’m not one of those people that sees the bad in everyone, but I definitely take my time with people. “ God.”īritney Spears with Hot Dog, 2000. “When Andy died two years later, they finally gave him the biggest show in the museum’s history.” He shakes his head.
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All he wanted was a show at the Museum of Modern Art and they never gave him one when he was alive.” LaChapelle was hired by Warhol for Interview magazine in the early 80s when he was still a teenage runaway in New York, blagging his way into Studio 54 he was the last to shoot a professional Warhol portrait in 1986. At the time, Andy couldn’t sell a single artwork to a gallery, the art world in really dismissed him. “I’d seen the circle around Andy come and go, the phoniness of people who surrounded him. “But this industry is no place to get old,” he says, with a hollowed-out zen. Part Renaissance painter, part Jeff Koonsian kitsch, LaChapelle on form produces works that are stunning, witty, ironic and clever. He helped Christina Aguilera and Mariah Carey reinvent themselves from prim pop princesses to OTT saucepots. He shot Marilyn Manson as a lollipop lady and Kanye West as Jesus. Everyone worth their salt – from Tupac Shakur and Leonardo DiCaprio to Hillary Clinton and Lady Gaga had their most zeitgeisty moment captured by him. He directed Madonna through her Ray of Light years (and later quit by hanging up the phone on her) Michael Jackson was a close friend Andy Warhol was his mentor. His works in film and photography revel in super-high-end production values, where his immense perfectionist attention to detail changed the size and scope of what a celebrity photoshoot could be he elevated it to an art form that has been endlessly mimicked since. At the peak of his output from the mid-90s to the mid-00s, LaChapelle’s visual signature – lurid and dramatic, beautiful and grotesque – popped from every angle of culture. It has been 11 years since LaChapelle, 54, swore off the celebrity circuit to retreat to rural Maui, Hawaii, and reinvent himself as a farmer. Archangel Michael – ‘And no message could have been any clearer’, 1990.